“Oh, no; oh, no! Not to theology alone, I assure you! Why, Socialism is the progeny of Romanism and of the Romanistic spirit. It and its brother Atheism proceed from Despair in opposition to Catholicism. It seeks to replace in itself the moral power of religion, in order to appease the spiritual thirst of parched humanity and save it; not by Christ, but by force. ‘Don’t dare to believe in God, don’t dare to possess any individuality, any property! _Fraternité ou la Mort_; two million heads. ‘By their works ye shall know them’--we are told. And we must not suppose that all this is harmless and without danger to ourselves. Oh, no; we must resist, and quickly, quickly! We must let our Christ shine forth upon the Western nations, our Christ whom we have preserved intact, and whom they have never known. Not as slaves, allowing ourselves to be caught by the hooks of the Jesuits, but carrying our Russian civilization to _them_, we must stand before them, not letting it be said among us that their preaching is ‘skilful,’ as someone expressed it just now.”
Aglaya flushed up angrily.
But it was more serious than he wished to think. As soon as the visitors had crossed the low dark hall, and entered the narrow reception-room, furnished with half a dozen cane chairs, and two small card-tables, Madame Terentieff, in the shrill tones habitual to her, continued her stream of invectives.
| That the prince was almost in a fever was no more than the truth. He wandered about the park for a long while, and at last came to himself in a lonely avenue. He was vaguely conscious that he had already paced this particular walk--from that large, dark tree to the bench at the other end--about a hundred yards altogether--at least thirty times backwards and forwards. |
After this performance, he smiled sweetly and left the room on tiptoe.
| But the prince could not finish his question; he did not know what to say. Besides this, his heart was beating so that he found it difficult to speak at all. Rogojin was silent also and looked at him as before, with an expression of deep thoughtfulness. |
| At last they left the house behind them, the prince carrying his bundle. |
| At the first sound of Nastasia’s voice a shudder ran through her frame. Of course “that woman” observed and took in all this. |
“No, he went to church, but to tell the truth he really preferred the old religion. This was his study and is now mine. Why did you ask if he were an Old Believer?”
So the matter crept slowly forward. The general and Totski had agreed to avoid any hasty and irrevocable step. Alexandra’s parents had not even begun to talk to their daughters freely upon the subject, when suddenly, as it were, a dissonant chord was struck amid the harmony of the proceedings. Mrs. Epanchin began to show signs of discontent, and that was a serious matter. A certain circumstance had crept in, a disagreeable and troublesome factor, which threatened to overturn the whole business.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| “I’ll just get my parcel and we’ll go,” said the prince to Gania, as he re-entered the drawing-room. Gania stamped his foot with impatience. His face looked dark and gloomy with rage. |
Nastasia Philipovna, who loved originality and drollery of all kinds, was apparently very fond of this old man, and rang the bell for more tea to stop his coughing. It was now half-past ten o’clock.
“I’ll tell you. In the first place he must immediately deliver up the pistol which he boasted of, with all its appurtenances. If he does this I shall consent to his being allowed to spend the night in this house--considering his feeble state of health, and of course conditionally upon his being under proper supervision. But tomorrow he must go elsewhere. Excuse me, prince! Should he refuse to deliver up his weapon, then I shall instantly seize one of his arms and General Ivolgin the other, and we shall hold him until the police arrive and take the matter into their own hands. Mr. Ferdishenko will kindly fetch them.”
“And supposing I do know something?” observed the other, triumphantly.
| “I have heard that my son--” began Ardalion Alexandrovitch. |
Suddenly Hippolyte jumped up as though he had been shot.
She looked suddenly, but attentively into his face, then at the window, as though thinking of something else, and then again at him.
| Even the German poet, though as amiable as possible, felt that he was doing the house the greatest of honours by his presence in it. |
“‘My God!’ he cried, ‘where did you find it? How?’ I explained in as few words as I could, and as drily as possible, how I had seen it and picked it up; how I had run after him, and called out to him, and how I had followed him upstairs and groped my way to his door.
“I am rather young-looking, I know; but I am actually older than I appear to be. I was ten or eleven in the year 1812. I don’t know my age exactly, but it has always been a weakness of mine to make it out less than it really is.”
| “Very well! Tell me the truth,” he said, dejectedly. |
He fell asleep on the bench; but his mental disquiet continued through his slumbers.
What had really happened?
“Oh, Antip!” cried he in a miserable voice, “I did say to you the other day--the day before yesterday--that perhaps you were not really Pavlicheff’s son!”
“How can it be foreign? You _are_ going to be married, are you not? Very well, then you are persisting in your course. _Are_ you going to marry her or not?”
| Nastasia Philipovna, observing his woe-begone expression, suddenly burst out laughing. |
There was a moment, during this long, wretched walk back from the Petersburg Side, when the prince felt an irresistible desire to go straight to Rogojin’s, wait for him, embrace him with tears of shame and contrition, and tell him of his distrust, and finish with it--once for all.
“That gentleman--Ivan Petrovitch--is a relation of your late friend, Mr. Pavlicheff. You wanted to find some of his relations, did you not?”
| “Tfu! look what the fellow got! Look at the blood on his cheek! Ha, ha!” |
“That is nothing!” said the prince, waving his hand.
Varvara Ardalionovna married Ptitsin this winter, and it was said that the fact of Gania’s retirement from business was the ultimate cause of the marriage, since Gania was now not only unable to support his family, but even required help himself.
| “Asleep?” whispered the prince. |
| “I don’t know at all; but she said I was to tell you particularly.” |
| However, he must take his room at the hotel; and he started off in that direction. Having engaged his room, he was asked by the waiter whether he would take dinner; replying mechanically in the affirmative, he sat down and waited; but it was not long before it struck him that dining would delay him. Enraged at this idea, he started up, crossed the dark passage (which filled him with horrible impressions and gloomy forebodings), and set out once more for Rogojin’s. Rogojin had not returned, and no one came to the door. He rang at the old lady’s door opposite, and was informed that Parfen Semionovitch would not return for three days. The curiosity with which the old servant stared at him again impressed the prince disagreeably. He could not find the porter this time at all. |
“You know quite well that I am telling the truth, because I have always been frank with you. I have never concealed my own opinion from you. I have always told you that I consider a marriage between you and her would be ruin to her. You would also be ruined, and perhaps even more hopelessly. If this marriage were to be broken off again, I admit I should be greatly pleased; but at the same time I have not the slightest intention of trying to part you. You may be quite easy in your mind, and you need not suspect me. You know yourself whether I was ever really your rival or not, even when she ran away and came to me.
There was a question to be decided--most important, but most difficult; so much so, that Mrs. Epanchin did not even see how to put it into words. Would the prince do or not? Was all this good or bad? If good (which might be the case, of course), _why_ good? If bad (which was hardly doubtful), _wherein_, especially, bad? Even the general, the paterfamilias, though astonished at first, suddenly declared that, “upon his honour, he really believed he had fancied something of the kind, after all. At first, it seemed a new idea, and then, somehow, it looked as familiar as possible.” His wife frowned him down there. This was in the morning; but in the evening, alone with his wife, he had given tongue again.
“No doubt... and I... is that acting like a prince? And you... you may be a general! But I... I am not your valet! And I... I...” stammered Antip Burdovsky.
“Nastasia Philipovna!”
“Yes.”
| “It is perhaps true, gentlemen,” said the prince, quietly. He had been listening in silence up to that moment without taking part in the conversation, but laughing heartily with the others from time to time. Evidently he was delighted to see that everybody was amused, that everybody was talking at once, and even that everybody was drinking. It seemed as if he were not intending to speak at all, when suddenly he intervened in such a serious voice that everyone looked at him with interest. |
“Not railways, properly speaking, presumptuous youth, but the general tendency of which railways may be considered as the outward expression and symbol. We hurry and push and hustle, for the good of humanity! ‘The world is becoming too noisy, too commercial!’ groans some solitary thinker. ‘Undoubtedly it is, but the noise of waggons bearing bread to starving humanity is of more value than tranquillity of soul,’ replies another triumphantly, and passes on with an air of pride. As for me, I don’t believe in these waggons bringing bread to humanity. For, founded on no moral principle, these may well, even in the act of carrying bread to humanity, coldly exclude a considerable portion of humanity from enjoying it; that has been seen more than once.”
| “But it is so difficult, and even impossible to understand, that surely I am not to be blamed because I could not fathom the incomprehensible? |
| But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him “brother,” while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein’s is! Why, this is the street, and here’s the house, No. 16. |
“You hear how he slanders me, prince,” said Lebedeff, almost beside himself with rage. “I may be a drunkard, an evil-doer, a thief, but at least I can say one thing for myself. He does not know--how should he, mocker that he is?--that when he came into the world it was I who washed him, and dressed him in his swathing-bands, for my sister Anisia had lost her husband, and was in great poverty. I was very little better off than she, but I sat up night after night with her, and nursed both mother and child; I used to go downstairs and steal wood for them from the house-porter. How often did I sing him to sleep when I was half dead with hunger! In short, I was more than a father to him, and now--now he jeers at me! Even if I did cross myself, and pray for the repose of the soul of the Comtesse du Barry, what does it matter? Three days ago, for the first time in my life, I read her biography in an historical dictionary. Do you know who she was? You there!” addressing his nephew. “Speak! do you know?”
So saying Lebedeff fixed the prince with his sharp little eyes, still in hope that he would get his curiosity satisfied.
“Oh no! I have been here a long while,” replied Colia, who was at the front door when the general met him. “I am keeping Hippolyte company. He is worse, and has been in bed all day. I came down to buy some cards. Marfa Borisovna expects you. But what a state you are in, father!” added the boy, noticing his father’s unsteady gait. “Well, let us go in.”
“Did no one awake me besides yourself? Was there no one else here? I thought there was another woman.”
The prince approached Evgenie Pavlovitch last of all. The latter immediately took his arm.
The girls stood apart, almost frightened; their father was positively horrified. Mrs. Epanchin’s language astonished everybody. Some who stood a little way off smiled furtively, and talked in whispers. Lebedeff wore an expression of utmost ecstasy.
“Oh dear no, it’s all a joke. No more cousin than I am.”
| “I beg your pardon, gentlemen; please excuse me,” said the prince. “I thought absolute frankness on both sides would be best, but have it your own way. I told Tchebaroff that, as I was not in Petersburg, I would commission a friend to look into the matter without delay, and that I would let you know, Mr. Burdovsky. Gentlemen, I have no hesitation in telling you that it was the fact of Tchebaroff’s intervention that made me suspect a fraud. Oh! do not take offence at my words, gentlemen, for Heaven’s sake do not be so touchy!” cried the prince, seeing that Burdovsky was getting excited again, and that the rest were preparing to protest. “If I say I suspected a fraud, there is nothing personal in that. I had never seen any of you then; I did not even know your names; I only judged by Tchebaroff; I am speaking quite generally--if you only knew how I have been ‘done’ since I came into my fortune!” |
“H’m destiny it is,” said the general, “and there’s no getting out of destiny.”