“Come in please, prince!”
“Yes, a candle! What’s there improbable about that?”
“Marfa Borisovna! Marfa Borisovna! Here is... the Prince Muishkin! General Ivolgin and Prince Muishkin,” stammered the disconcerted old man.

“He’s sitting there over his bottle--and how they can give him credit, I cannot understand. Don’t tell mother I brought you the note, prince; I have sworn not to do it a thousand times, but I’m always so sorry for him. Don’t stand on ceremony, give him some trifle, and let that end it.”

“How--what do you mean you didn’t allow?”
“I’ll swear it by whatever you please.”
The prince brought out his “copy-book sentence” in the firm belief that it would produce a good effect. He felt instinctively that some such well-sounding humbug, brought out at the proper moment, would soothe the old man’s feelings, and would be specially acceptable to such a man in such a position. At all hazards, his guest must be despatched with heart relieved and spirit comforted; that was the problem before the prince at this moment.
“Twenty-seventh; very well. Good-bye now; you have a good deal to do, I’m sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear.”
Lebedeff clasped his hands in supplication.
“An idiot!”
“You got that from some magazine, Colia,” remarked Adelaida.
So he walked back looking about him for the shop, and his heart beat with intolerable impatience. Ah! here was the very shop, and there was the article marked “60 cop.” Of course, it’s sixty copecks, he thought, and certainly worth no more. This idea amused him and he laughed.
“Oh yes, but that is not enough.”
“Prince Muishkin? Lef Nicolaievitch? H’m! I don’t know, I’m sure! I may say I have never heard of such a person,” said the clerk, thoughtfully. “At least, the name, I admit, is historical. Karamsin must mention the family name, of course, in his history--but as an individual--one never hears of any Prince Muishkin nowadays.”
“Nastasia Philipovna,” murmured the prince.
The prince redoubled his attentive study of her symptoms. It was a most curious circumstance, in his opinion, that she never spoke of Rogojin. But once, about five days before the wedding, when the prince was at home, a messenger arrived begging him to come at once, as Nastasia Philipovna was very ill.

“_What_ poor knight?” asked Mrs. Epanchin, looking round at the face of each of the speakers in turn. Seeing, however, that Aglaya was blushing, she added, angrily:

Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother’s face. At moments, at all events, it showed itself but too plainly,

“Hippolyte Terentieff,” cried the last-named, in a shrill voice.

Aglaya did not begin the conversation, but contented herself with watching her companion intently.

“Now I’ll tell you my secret conviction. I’m certain that she’s doing this to revenge herself on me, on account of the past, though I assure you that all the time I was blameless. I blush at the very idea. And now she turns up again like this, when I thought she had finally disappeared! Where’s Rogojin all this time? I thought she was Mrs. Rogojin, long ago.”

Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances.

We suspect, for instance, that having commissioned Lebedeff and the others, as above, the prince immediately forgot all about masters of ceremonies and even the ceremony itself; and we feel quite certain that in making these arrangements he did so in order that he might absolutely escape all thought of the wedding, and even forget its approach if he could, by detailing all business concerning it to others.
So saying, she had left the room, banging the door after her, and the prince went off, looking as though he were on his way to a funeral, in spite of all their attempts at consolation.
“Well?”
His first word was to inquire after Evgenie Pavlovitch. But Lizabetha stalked past him, and neither looked at him nor answered his question.
“Who are these people?” said the prince. “One more second and I should have stopped him,” said Keller, afterwards. In fact, he and Burdovsky jumped into another carriage and set off in pursuit; but it struck them as they drove along that it was not much use trying to bring Nastasia back by force.

“No, no--prince, not now! Now is a dream! And it is too, too important! It is to be the hour of Fate to me--_my own_ hour. Our interview is not to be broken in upon by every chance comer, every impertinent guest--and there are plenty of such stupid, impertinent fellows”--(he bent over and whispered mysteriously, with a funny, frightened look on his face)--“who are unworthy to tie your shoe, prince. I don’t say _mine_, mind--you will understand me, prince. Only _you_ understand me, prince--no one else. _He_ doesn’t understand me, he is absolutely--_absolutely_ unable to sympathize. The first qualification for understanding another is Heart.”

“That’s me, I suppose. I’m the shameless creature!” cried Nastasia Philipovna, with amused indifference. “Dear me, and I came--like a fool, as I am--to invite them over to my house for the evening! Look how your sister treats me, Gavrila Ardalionovitch.” “Oh--well, look here, if I have some time to wait, would you mind telling me, is there any place about where I could have a smoke? I have my pipe and tobacco with me.”

“And--and you won’t _laugh_ at him? That’s the chief thing.”

They were evidently on quite familiar terms. In Moscow they had had many occasions of meeting; indeed, some few of those meetings were but too vividly impressed upon their memories. They had not met now, however, for three months.

Arrived home again, the prince sent for Vera Lebedeff and told her as much as was necessary, in order to relieve her mind, for she had been in a dreadful state of anxiety since she had missed the letter. She heard with horror that her father had taken it. Muishkin learned from her that she had on several occasions performed secret missions both for Aglaya and for Rogojin, without, however, having had the slightest idea that in so doing she might injure the prince in any way.

At last he was wide awake.

A couple of days later, however, Hippolyte’s mother came with tears in her eyes, and begged the prince to come back, “or _he_ would eat her up bodily.” She added that Hippolyte had a great secret to disclose. Of course the prince went. There was no secret, however, unless we reckon certain pantings and agitated glances around (probably all put on) as the invalid begged his visitor to “beware of Rogojin.”
Aglaya left without saying good-bye. But the evening was not to end without a last adventure. An unexpected meeting was yet in store for Lizabetha Prokofievna.

“Yes, it’s quite true, isn’t it?” cried the general, his eyes sparkling with gratification. “A small boy, a child, would naturally realize no danger; he would shove his way through the crowds to see the shine and glitter of the uniforms, and especially the great man of whom everyone was speaking, for at that time all the world had been talking of no one but this man for some years past. The world was full of his name; I--so to speak--drew it in with my mother’s milk. Napoleon, passing a couple of paces from me, caught sight of me accidentally. I was very well dressed, and being all alone, in that crowd, as you will easily imagine...”

“Parfen, I am not your enemy, and I do not intend to oppose your intentions in any way. I repeat this to you now just as I said it to you once before on a very similar occasion. When you were arranging for your projected marriage in Moscow, I did not interfere with you--you know I did not. That first time she fled to me from you, from the very altar almost, and begged me to ‘save her from you.’ Afterwards she ran away from me again, and you found her and arranged your marriage with her once more; and now, I hear, she has run away from you and come to Petersburg. Is it true? Lebedeff wrote me to this effect, and that’s why I came here. That you had once more arranged matters with Nastasia Philipovna I only learned last night in the train from a friend of yours, Zaleshoff--if you wish to know.

“Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?”

“I wrote this yesterday, myself, just after I saw you, prince, and told you I would come down here. I wrote all day and all night, and finished it this morning early. Afterwards I had a dream.”

“No, no! I cannot allow this,--this is a little too much,” cried Lizabetha Prokofievna, exploding with rage, and she rose from her seat and followed Aglaya out of the room as quickly as she could.

“Koulakoff... Koulakoff means nothing. This is Sokolovitch’s flat, and I am ringing at his door.... What do I care for Koulakoff?... Here comes someone to open.”

“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”

“Yes, yes,” agreed the prince, warmly.

“Well, a soldier once told me that they were always ordered to aim at the middle of the body. So you see they don’t aim at the chest or head; they aim lower on purpose. I asked some officer about this afterwards, and he said it was perfectly true.”

The prince continued to regard Nastasia with a sorrowful, but intent and piercing, gaze.

“Listen to me, Lebedeff,” said the prince in a decided voice, turning his back on the young man. “I know by experience that when you choose, you can be business-like... I have very little time to spare, and if you... By the way--excuse me--what is your Christian name? I have forgotten it.”

“So I will,” he whispered hoarsely. “As soon as I get home I will go to bed at once; and I know I shall be dead in a fortnight; Botkine told me so himself last week. That is why I should like to say a few farewell words, if you will let me.”
Things had come to this unexpected point too quickly. Unexpected because Nastasia Philipovna, on her way to Pavlofsk, had thought and considered a good deal, and had expected something different, though perhaps not altogether good, from this interview; but Aglaya had been carried away by her own outburst, just as a rolling stone gathers impetus as it careers downhill, and could not restrain herself in the satisfaction of revenge.
“Yes, sir--on that very spot.” The prince gazed strangely at Lebedeff. “And the general?” he asked, abruptly.

Gania, little as he felt inclined for swagger at this moment, could not avoid showing his triumph, especially just after such humiliating remarks as those of Hippolyte. A smile of self-satisfaction beamed on his face, and Varia too was brimming over with delight.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. “Then you wanted me to lend you money?”