“There’s news!” continued the clear voice. “You need not be anxious about Kupferof’s IOU’s--Rogojin has bought them up. I persuaded him to!--I dare say we shall settle Biscup too, so it’s all right, you see! _Au revoir_, tomorrow! And don’t worry!” The carriage moved on, and disappeared.

“Here you all are,” began the prince, “settling yourselves down to listen to me with so much curiosity, that if I do not satisfy you you will probably be angry with me. No, no! I’m only joking!” he added, hastily, with a smile.

The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.
The prince certainly was beside himself.
“Prince,” he cried, “you are forgetting that if you consented to receive and hear them, it was only because of your kind heart which has no equal, for they had not the least right to demand it, especially as you had placed the matter in the hands of Gavrila Ardalionovitch, which was also extremely kind of you. You are also forgetting, most excellent prince, that you are with friends, a select company; you cannot sacrifice them to these gentlemen, and it is only for you to have them turned out this instant. As the master of the house I shall have great pleasure ....”

The prince turned at the door to say something, but perceiving in Gania’s expression that there was but that one drop wanting to make the cup overflow, he changed his mind and left the room without a word. A few minutes later he was aware from the noisy voices in the drawing room, that the conversation had become more quarrelsome than ever after his departure.

“I’m sorry, really sorry,” he muttered. “She’s a ruined woman. Mad! mad! However, the prince is not for Nastasia Philipovna now,--perhaps it’s as well.”

While Gania put this question, a new idea suddenly flashed into his brain, and blazed out, impatiently, in his eyes. The general, who was really agitated and disturbed, looked at the prince too, but did not seem to expect much from his reply.

“Yes, it shows delicacy and intelligence on your part.”

He looked at his listeners again with that same serious, searching expression.

“No, oh no!” cried Lebedeff, waving his arms; “if she is afraid, it is not for the reason you think. By the way, do you know that the monster comes every day to inquire after your health?” “But, look here, are you a great hand with the ladies? Let’s know that first?” asked Rogojin.

“In point of fact I don’t think I thought much about it,” said the old fellow. He seemed to have a wonderfully good memory, however, for he told the prince all about the two old ladies, Pavlicheff’s cousins, who had taken care of him, and whom, he declared, he had taken to task for being too severe with the prince as a small sickly boy--the elder sister, at least; the younger had been kind, he recollected. They both now lived in another province, on a small estate left to them by Pavlicheff. The prince listened to all this with eyes sparkling with emotion and delight.

It so happened, however, that on this particular evening all these good people were in excellent humour and highly pleased with themselves. Every one of them felt that they were doing the Epanchins the greatest possible honour by their presence. But alas! the prince never suspected any such subtleties! For instance, he had no suspicion of the fact that the Epanchins, having in their mind so important a step as the marriage of their daughter, would never think of presuming to take it without having previously “shown off” the proposed husband to the dignitary--the recognized patron of the family. The latter, too, though he would probably have received news of a great disaster to the Epanchin family with perfect composure, would nevertheless have considered it a personal offence if they had dared to marry their daughter without his advice, or we might almost say, his leave.

“Fortune--money--do you mean?” asked the prince in some surprise.
“Oh dear no, it’s all a joke. No more cousin than I am.”
He glanced at Aglaya, who was listening with a look of hatred on her face.

The prince took it from her hand, but gazed at her in bewilderment.

The prince watched the whole scene, silent and dejected.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. “Having now shown you that I am not quite such a fool as I look, and that I have to be fished for with a rod and line for a good long while before I am caught, I will proceed to explain why I specially wished to make your brother look a fool. That my motive power is hate, I do not attempt to conceal. I have felt that before dying (and I am dying, however much fatter I may appear to you), I must absolutely make a fool of, at least, one of that class of men which has dogged me all my life, which I hate so cordially, and which is so prominently represented by your much esteemed brother. I should not enjoy paradise nearly so much without having done this first. I hate you, Gavrila Ardalionovitch, solely (this may seem curious to you, but I repeat)--solely because you are the type, and incarnation, and head, and crown of the most impudent, the most self-satisfied, the most vulgar and detestable form of commonplaceness. You are ordinary of the ordinary; you have no chance of ever fathering the pettiest idea of your own. And yet you are as jealous and conceited as you can possibly be; you consider yourself a great genius; of this you are persuaded, although there are dark moments of doubt and rage, when even this fact seems uncertain. There are spots of darkness on your horizon, though they will disappear when you become completely stupid. But a long and chequered path lies before you, and of this I am glad. In the first place you will never gain a certain person.”
“I won’t believe this!” cried the prince.
“Oh, I’m a mean wretch--a mean wretch!” he said, approaching the prince once more, and beating his breast, with tears in his eyes.
“Nastasia Philipovna,” murmured the prince.
“Well, I was glad enough, for I had long felt the greatest sympathy for this man; and then the pretty uniform and all that--only a child, you know--and so on. It was a dark green dress coat with gold buttons--red facings, white trousers, and a white silk waistcoat--silk stockings, shoes with buckles, and top-boots if I were riding out with his majesty or with the suite.

“Last week? In the night? Have you gone cracked, my good friend?”

“I’ve put her in the carriage,” he said; “it has been waiting round the corner there since ten o’clock. She expected that you would be with _them_ all the evening. I told her exactly what you wrote me. She won’t write to the girl any more, she promises; and tomorrow she will be off, as you wish. She desired to see you for the last time, although you refused, so we’ve been sitting and waiting on that bench till you should pass on your way home.”

“Well, good-bye!” said the prince, holding out his hand.
“Why, are you a doctor, prince, or what?” he asked, as naturally as possible. “I declare you quite frightened me! Nastasia Philipovna, let me introduce this interesting character to you--though I have only known him myself since the morning.”
Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out:
“You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.”
“I was astonished, seeing you so suddenly--” murmured the prince.

“I really don’t absolutely know myself; I know my feeling was very sincere. I had moments at that time full of life and hope.”

At length he observed, to his amazement, that all had taken their seats again, and were laughing and talking as though nothing had happened. Another minute and the laughter grew louder--they were laughing at him, at his dumb stupor--laughing kindly and merrily. Several of them spoke to him, and spoke so kindly and cordially, especially Lizabetha Prokofievna--she was saying the kindest possible things to him.

Lebedeff and Colia came rushing up at this moment.