“Immediately, immediately! As for my story, gentlemen, it is too stupid and absurd to tell you.
“The night before the ball I met Peter, looking radiant. ‘What is it?’ I ask. ‘I’ve found them, Eureka!’ ‘No! where, where?’ ‘At Ekshaisk (a little town fifteen miles off) there’s a rich old merchant, who keeps a lot of canaries, has no children, and he and his wife are devoted to flowers. He’s got some camellias.’ ‘And what if he won’t let you have them?’ ‘I’ll go on my knees and implore till I get them. I won’t go away.’ ‘When shall you start?’ ‘Tomorrow morning at five o’clock.’ ‘Go on,’ I said, ‘and good luck to you.’
| We suspect, for instance, that having commissioned Lebedeff and the others, as above, the prince immediately forgot all about masters of ceremonies and even the ceremony itself; and we feel quite certain that in making these arrangements he did so in order that he might absolutely escape all thought of the wedding, and even forget its approach if he could, by detailing all business concerning it to others. |
“Where have you dropped from?” cried the prince.
This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.
“No doubt he ran off because he did not know what to say to you,” said the youth on the divan. “I bet he is trying to cheat you, and is thinking how best to do it.”
| “But you seem to be on the best of terms with him?” |
| “Is that you, Keller?” said the prince, in surprise. |
| “How do you know he is not the question now?” cried Hippolyte, laughing hysterically. |
“Oh, I supposed you were coming,” the other replied, smiling sarcastically, “and I was right in my supposition, you see; but how was I to know that you would come _today?_”
| “Laugh away! She said exactly the same, almost word for word, when she saw my father’s portrait. It’s remarkable how entirely you and she are at one now-a-days.” |
| So next day the prince was expected all the morning, and at dinner, tea, and supper; and when he did not appear in the evening, Mrs. Epanchin quarrelled with everyone in the house, finding plenty of pretexts without so much as mentioning the prince’s name. |
“How do you know it’s Nastasia Philipovna?” asked the general; “you surely don’t know her already, do you?”
| “No, no, no, no, no! Nothing of the sort, I assure you!” said Lebedeff, hastily. “Oh dear no, not for the world! Totski’s the only man with any chance there. Oh, no! He takes her to his box at the opera at the French theatre of an evening, and the officers and people all look at her and say, ‘By Jove, there’s the famous Nastasia Philipovna!’ but no one ever gets any further than that, for there is nothing more to say.” |
“Do you wish to make acquaintance?” asked the prince.
Now this was precisely what Lebedeff had made up his mind to do in the last three minutes. Not that he had any difficulty in finding a tenant; in fact the house was occupied at present by a chance visitor, who had told Lebedeff that he would perhaps take it for the summer months. The clerk knew very well that this “_perhaps_” meant “_certainly_,” but as he thought he could make more out of a tenant like the prince, he felt justified in speaking vaguely about the present inhabitant’s intentions. “This is quite a coincidence,” thought he, and when the subject of price was mentioned, he made a gesture with his hand, as if to waive away a question of so little importance.
“No, I don’t think it was a special case,” said the prince, quietly, but firmly.
The prince began to give his reasons, but she interrupted him again.
Here is the article.
“You call him a monster so often that it makes me suspicious.”
V.
| The prince understood at last why he shivered with dread every time he thought of the three letters in his pocket, and why he had put off reading them until the evening. |
“Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.”
| “I have a couple of words to say to you,” he began, “and those on a very important matter; let’s go aside for a minute or two.” |
“I can’t understand why you always fly into a temper,” said Mrs. Epanchin, who had been listening to the conversation and examining the faces of the speakers in turn. “I do not understand what you mean. What has your little finger to do with it? The prince talks well, though he is not amusing. He began all right, but now he seems sad.”
“I thought” he stammered, making for the door.
“What’s that got to do with it?” asked the general, who loathed Ferdishenko.
“Never told either him or me?” cried Aglaya. “How about your letters? Who asked you to try to persuade me to marry him? Was not that a declaration from you? Why do you force yourself upon us in this way? I confess I thought at first that you were anxious to arouse an aversion for him in my heart by your meddling, in order that I might give him up; and it was only afterwards that I guessed the truth. You imagined that you were doing an heroic action! How could you spare any love for him, when you love your own vanity to such an extent? Why could you not simply go away from here, instead of writing me those absurd letters? Why do you not _now_ marry that generous man who loves you, and has done you the honour of offering you his hand? It is plain enough why; if you marry Rogojin you lose your grievance; you will have nothing more to complain of. You will be receiving too much honour. Evgenie Pavlovitch was saying the other day that you had read too many poems and are too well educated for--your position; and that you live in idleness. Add to this your vanity, and, there you have reason enough--”
Evgenie Pavlovitch, who went abroad at this time, intending to live a long while on the continent, being, as he often said, quite superfluous in Russia, visits his sick friend at Schneider’s every few months.
| At this moment in marched Aglaya, as calm and collected as could be. She gave the prince a ceremonious bow and solemnly took up a prominent position near the big round table. She looked at the prince questioningly. |
“Oh, silence isn’t the word! Softly, softly!”
“Oh no--it’s the work of an instant. They put a man inside a frame and a sort of broad knife falls by machinery--they call the thing a guillotine--it falls with fearful force and weight--the head springs off so quickly that you can’t wink your eye in between. But all the preparations are so dreadful. When they announce the sentence, you know, and prepare the criminal and tie his hands, and cart him off to the scaffold--that’s the fearful part of the business. The people all crowd round--even women--though they don’t at all approve of women looking on.”
| “Oh, dear!” cried the prince, confused, trying to hurry his words out, and growing more and more eager every moment: “I’ve gone and said another stupid thing. I don’t know what to say. I--I didn’t mean that, you know--I--I--he really was such a splendid man, wasn’t he?” |
| “If you know it so well,” said the prince a little timidly, “why do you choose all this worry for the sake of the seventy-five thousand, which, you confess, does not cover it?” |
“Oh, yes--I know what count you’re going to see!” remarked his wife in a cutting manner, as she turned her angry eyes on the prince. “Now then, what’s all this about?--What abbot--Who’s Pafnute?” she added, brusquely.
Hippolyte looked around at the laughing guests. The prince observed that his teeth were chattering as though in a violent attack of ague.
“Be assured, most honourable, most worthy of princes--be assured that the whole matter shall be buried within my heart!” cried Lebedeff, in a paroxysm of exaltation. “I’d give every drop of my blood... Illustrious prince, I am a poor wretch in soul and spirit, but ask the veriest scoundrel whether he would prefer to deal with one like himself, or with a noble-hearted man like you, and there is no doubt as to his choice! He’ll answer that he prefers the noble-hearted man--and there you have the triumph of virtue! _Au revoir_, honoured prince! You and I together--softly! softly!”
“What Osterman?” asked the prince in some surprise.
“You should search your room and all the cupboards again,” said the prince, after a moment or two of silent reflection.
“Of course she did!” said Rogojin, showing his teeth; “and I saw for myself what I knew before. You’ve read her letters, I suppose?”
So they stood for a moment or two, confronting one another. At length a faint smile passed over her face, and she passed by him without a word.
“Come along, let’s go out for a walk!” cried Adelaida. “We’ll all go together, and the prince must absolutely go with us. You needn’t go away, you dear good fellow! _Isn’t_ he a dear, Aglaya? Isn’t he, mother? I must really give him a kiss for--for his explanation to Aglaya just now. Mother, dear, I may kiss him, mayn’t I? Aglaya, may I kiss _your_ prince?” cried the young rogue, and sure enough she skipped up to the prince and kissed his forehead.
Hippolyte gazed eagerly at the latter, and mused for a few moments.
| “I know their faces, too,” said the prince, with a peculiar stress on the words. |
| “No--in anger, perhaps. Oh yes! she reproached me dreadfully in anger; and suffered herself, too! But afterwards--oh! don’t remind me--don’t remind me of that!” |
“H’m! I like to see that you know your manners; and you are by no means such a person as the general thought fit to describe you. Come along; you sit here, opposite to me,” she continued, “I wish to be able to see your face. Alexandra, Adelaida, look after the prince! He doesn’t seem so very ill, does he? I don’t think he requires a napkin under his chin, after all; are you accustomed to having one on, prince?”
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.”
“It grieves me to see you so, Hippolyte. Why didn’t you send me a message? I would have come up and saved you this trouble.”
“I knew yesterday that you didn’t love me.”
“I will, Nastasia Philipovna.”
There she stood at last, face to face with him, for the first time since their parting.
| An ominous expression passed over Nastasia Philipovna’s face, of a sudden. It became obstinate-looking, hard, and full of hatred; but she did not take her eyes off her visitors for a moment. |
Sure enough, the train was just steaming in as he spoke.
“So I will,” he whispered hoarsely. “As soon as I get home I will go to bed at once; and I know I shall be dead in a fortnight; Botkine told me so himself last week. That is why I should like to say a few farewell words, if you will let me.”
| “That could only have been on your invitation. I confess, however, that I should not have stayed here even if you had invited me, not for any particular reason, but because it is--well, contrary to my practice and nature, somehow.” |
“How much?”
| In her opinion there was so much disclosed and laid bare by the episode, that, in spite of the chaotic condition of her mind, she was able to feel more or less decided on certain points which, up to now, had been in a cloudy condition. |
“That will do, Lebedeff, that will do--” began the prince, when an indignant outcry drowned his words.
“I’ll tell you why I draw the conclusion,” explained the prince, evidently desirous of clearing up the matter a little. “Because, though I often think over the men of those times, I cannot for the life of me imagine them to be like ourselves. It really appears to me that they were of another race altogether than ourselves of today. At that time people seemed to stick so to one idea; now, they are more nervous, more sensitive, more enlightened--people of two or three ideas at once--as it were. The man of today is a broader man, so to speak--and I declare I believe that is what prevents him from being so self-contained and independent a being as his brother of those earlier days. Of course my remark was only made under this impression, and not in the least--”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“Draw the scaffold so that only the top step of the ladder comes in clearly. The criminal must be just stepping on to it, his face as white as note-paper. The priest is holding the cross to his blue lips, and the criminal kisses it, and knows and sees and understands everything. The cross and the head--there’s your picture; the priest and the executioner, with his two assistants, and a few heads and eyes below. Those might come in as subordinate accessories--a sort of mist. There’s a picture for you.” The prince paused, and looked around.
“Yes, I played with her,” said Rogojin, after a short silence.
“Why? what’s there strange about it? He has a tongue. Why shouldn’t he tell us something? I want to judge whether he is a good story-teller; anything you like, prince--how you liked Switzerland, what was your first impression, anything. You’ll see, he’ll begin directly and tell us all about it beautifully.”
That there was, indeed, beauty and harmony in those abnormal moments, that they really contained the highest synthesis of life, he could not doubt, nor even admit the possibility of doubt. He felt that they were not analogous to the fantastic and unreal dreams due to intoxication by hashish, opium or wine. Of that he could judge, when the attack was over. These instants were characterized--to define it in a word--by an intense quickening of the sense of personality. Since, in the last conscious moment preceding the attack, he could say to himself, with full understanding of his words: “I would give my whole life for this one instant,” then doubtless to him it really was worth a lifetime. For the rest, he thought the dialectical part of his argument of little worth; he saw only too clearly that the result of these ecstatic moments was stupefaction, mental darkness, idiocy. No argument was possible on that point. His conclusion, his estimate of the “moment,” doubtless contained some error, yet the reality of the sensation troubled him. What’s more unanswerable than a fact? And this fact had occurred. The prince had confessed unreservedly to himself that the feeling of intense beatitude in that crowded moment made the moment worth a lifetime. “I feel then,” he said one day to Rogojin in Moscow, “I feel then as if I understood those amazing words--‘There shall be no more time.’” And he added with a smile: “No doubt the epileptic Mahomet refers to that same moment when he says that he visited all the dwellings of Allah, in less time than was needed to empty his pitcher of water.” Yes, he had often met Rogojin in Moscow, and many were the subjects they discussed. “He told me I had been a brother to him,” thought the prince. “He said so today, for the first time.”
“I dare say I should be--much alarmed!”