“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Yes, the one who waits in the entrance hall, a greyish, red-faced man--”
| “Why, he didn’t die! I’ll ask him for it, if you like.” |
Aglaya was the only one of the family whose good graces he could not gain, and who always spoke to him haughtily, but it so happened that the boy one day succeeded in giving the proud maiden a surprise.
| “You’ve lost the game, Gania” he cried, as he passed the latter. |
What then must have been her condition, when, among all the imaginary anxieties and calamities which so constantly beset her, she now saw looming ahead a serious cause for annoyance--something really likely to arouse doubts and suspicions!
“H’m! you spent your postage for nothing, then. H’m! you are candid, however--and that is commendable. H’m! Mrs. Epanchin--oh yes! a most eminent person. I know her. As for Mr. Pavlicheff, who supported you in Switzerland, I know him too--at least, if it was Nicolai Andreevitch of that name? A fine fellow he was--and had a property of four thousand souls in his day.”
“There you are, mother, you are always like that. You begin by promising that there are to be no reproaches or insinuations or questions, and here you are beginning them at once. We had better drop the subject--we had, really. I shall never leave you, mother; any other man would cut and run from such a sister as this. See how she is looking at me at this moment! Besides, how do you know that I am blinding Nastasia Philipovna? As for Varia, I don’t care--she can do just as she pleases. There, that’s quite enough!”
| All this caused the general to look grave and important. But, alas! this agreeable state of affairs very soon changed once more. |
“He is a strange boy, thoughtless, and inclined to be indiscreet.”
“Excuse me--two words! I am Varvara Ardalionovna’s guest, not yours; _you_ have extended no hospitality to me. On the contrary, if I am not mistaken, I believe you are yourself indebted to Mr. Ptitsin’s hospitality. Four days ago I begged my mother to come down here and find lodgings, because I certainly do feel better here, though I am not fat, nor have I ceased to cough. I am today informed that my room is ready for me; therefore, having thanked your sister and mother for their kindness to me, I intend to leave the house this evening. I beg your pardon--I interrupted you--I think you were about to add something?”
| “Do you know for certain that he was at home last night?” |
“I’ll die before I invite you! I shall forget your very name! I’ve forgotten it already!”
| “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. |
It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly.
| “To the station, quick! If you catch the train you shall have another. Quick!” |
“He actually seems to boast of it!” she cried.
Around him all was quiet; only the flutter and whisper of the leaves broke the silence, but broke it only to cause it to appear yet more deep and still.
Evgenie called upon the prince the day after that on which the Epanchins left Pavlofsk. He knew of all the current rumours,--in fact, he had probably contributed to them himself. The prince was delighted to see him, and immediately began to speak of the Epanchins;--which simple and straightforward opening quite took Evgenie’s fancy, so that he melted at once, and plunged in medias res without ceremony.
“Yes, yes, yes!” said the prince, once more, nodding his head, and blushing slightly. “Yes, it was so, or nearly so--I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired.”
“Oh--h--h! You mean the four hundred roubles!” said Lebedeff, dragging the words out, just as though it had only just dawned upon him what the prince was talking about. “Thanks very much, prince, for your kind interest--you do me too much honour. I found the money, long ago!”
“‘Dead Souls,’ yes, of course, dead. When I die, Colia, you must engrave on my tomb:
| “I didn’t say right out who I was, but Zaleshoff said: ‘From Parfen Rogojin, in memory of his first meeting with you yesterday; be so kind as to accept these!’ |
“Yes, my dear, it was an old abbot of that name--I must be off to see the count, he’s waiting for me, I’m late--Good-bye! _Au revoir_, prince!”--and the general bolted at full speed.
| Gania seized his head with both hands and tottered to the window; Varia sat down at the other window. |
| “Count on my assistance? Go alone? How can you ask me that question, when it is a matter on which the fate of my family so largely depends? You don’t know Ivolgin, my friend. To trust Ivolgin is to trust a rock; that’s how the first squadron I commanded spoke of me. ‘Depend upon Ivolgin,’ said they all, ‘he is as steady as a rock.’ But, excuse me, I must just call at a house on our way, a house where I have found consolation and help in all my trials for years.” |
“I love that boy for his perception,” said Lebedeff, looking after him. “My dear prince,” he continued, “I have had a terrible misfortune, either last night or early this morning. I cannot tell the exact time.”
| Here the sound judgment of Totski stood him in good stead. He realized that Nastasia Philipovna must be well aware that she could do nothing by legal means to injure him, and that her flashing eyes betrayed some entirely different intention. |
Sure enough, some of the brave fellows entirely lost their heads at this point, and retreated into the next room. Others, however, took the hint and sat down, as far as they could from the table, however; feeling braver in proportion to their distance from Nastasia.
“Don’t they heat them at all?”
“At last I’ve stormed the citadel! Why do you tie up your bell?” she said, merrily, as she pressed Gania’s hand, the latter having rushed up to her as soon as she made her appearance. “What are you looking so upset about? Introduce me, please!”
“H’m! now, I suppose, you and your husband will never weary of egging me on to work again. You’ll begin your lectures about perseverance and strength of will, and all that. I know it all by heart,” said Gania, laughing.
“What an extraordinary person you are, prince! Do you mean to say that you doubt the fact that he is capable of murdering ten men?”
“He is, indeed,” said Alexandra; “almost laughably so at times.”
| “Orphans, poor orphans!” he began in a pathetic voice. |
“Don’t come with me,” she cried, “_Au revoir_, till the evening--do you hear? _Au revoir!_”
“There are the letters.” (Aglaya took three letters out of her pocket and threw them down before the prince.) “For a whole week she has been entreating and worrying and persuading me to marry you. She--well, she is clever, though she may be mad--much cleverer than I am, as you say. Well, she writes that she is in love with me herself, and tries to see me every day, if only from a distance. She writes that you love me, and that she has long known it and seen it, and that you and she talked about me--there. She wishes to see you happy, and she says that she is certain only I can ensure you the happiness you deserve. She writes such strange, wild letters--I haven’t shown them to anyone. Now, do you know what all this means? Can you guess anything?”
“‘What do you think of it yourself?” replied the prince, looking sadly at Rogojin.
| “Yes, Nicolai Andreevitch--that was his name,” and the young fellow looked earnestly and with curiosity at the all-knowing gentleman with the red nose. |
“I don’t think you need break your heart over Gania,” said the prince; “for if what you say is true, he must be considered dangerous in the Epanchin household, and if so, certain hopes of his must have been encouraged.”
The company departed very quickly, in a mass. Ptitsin, Gania, and Rogojin went away together.
“But I didn’t sleep a wink all night. I walked and walked about, and went to where the music was--”
| “I asked how it came about that the tureen had been left. Nikifor explained that the old lady refused to give it up, because, she said, we had broken her bowl, and she must have our tureen in place of it; she had declared that I had so arranged the matter with herself. |
| “You know we have hardly spoken to each other for a whole month. Ptitsin told me all about it; and the photo was lying under the table, and I picked it up.” |
By this time some of the visitors had disappeared.
“But you are half asleep, are you not? If you don’t want him, I will take him back to my house! Why, good gracious! He can hardly stand up himself! What is it? Are you ill?”
“Why, what do you mean? You said you knew, and now suddenly you know nothing! You say ‘very well; let’s leave it so.’ But I say, don’t be so confiding, especially as you know nothing. You are confiding simply _because_ you know nothing. But do you know what these good people have in their minds’ eye--Gania and his sister? Perhaps you are suspicious? Well, well, I’ll drop the subject!” he added, hastily, observing the prince’s impatient gesture. “But I’ve come to you on my own business; I wish to make you a clear explanation. What a nuisance it is that one cannot die without explanations! I have made such a quantity of them already. Do you wish to hear what I have to say?”
Though he seemed to wish to say much more, he became silent. He fell back into his chair, and, covering his face with his hands, began to sob like a little child.
“I never thought of doing any such thing. I have not seen him, and he is not a rogue, in my opinion. I have had a letter from him.”
“On the table along with these things were a few old bits of black bread, and some tea in a pot. From under the bed there protruded an open portmanteau full of bundles of rags. In a word, the confusion and untidiness of the room were indescribable.
“Of course; quite so. In that case it all depends upon what is going on in her brain at this moment.”
“Allow me, gentlemen, allow me,” urged the prince.
“Oh, silence isn’t the word! Softly, softly!”
“Yes... from you it is quite natural.”
But the situation was becoming rapidly critical.
| “Vladimir Doktorenko,” said Lebedeff’s nephew briskly, and with a certain pride, as if he boasted of his name. |
Rogojin listened to the prince’s excited words with a bitter smile. His conviction was, apparently, unalterable.
But Muishkin had risen, and was on his way to open the door for his visitors.
“Nothing unexpected. I discovered that it’s all true. My husband was wiser than either of us. Just as he suspected from the beginning, so it has fallen out. Where is he?”
“No one ever thought of such a thing! There has never been a word said about it!” cried Alexandra.
| “But why not now? I am ready to listen, and--” |
“And you’ll never reproach me with it?”
“Oh yes, I know a good deal.”
“Just so! just so! He wanted to win over the aristocracy! When his eagle eye fell on me, mine probably flashed back in response. ‘_Voilà un garçon bien éveillé! Qui est ton père?_’ I immediately replied, almost panting with excitement, ‘A general, who died on the battle-fields of his country!’ ‘_Le fils d’un boyard et d’un brave, pardessus le marché. J’aime les boyards. M’aimes-tu, petit?_’
“Of course not,” replied the prince; “there are none, except myself. I believe I am the last and only one. As to my forefathers, they have always been a poor lot; my own father was a sublieutenant in the army. I don’t know how Mrs. Epanchin comes into the Muishkin family, but she is descended from the Princess Muishkin, and she, too, is the last of her line.”
However, he must take his room at the hotel; and he started off in that direction. Having engaged his room, he was asked by the waiter whether he would take dinner; replying mechanically in the affirmative, he sat down and waited; but it was not long before it struck him that dining would delay him. Enraged at this idea, he started up, crossed the dark passage (which filled him with horrible impressions and gloomy forebodings), and set out once more for Rogojin’s. Rogojin had not returned, and no one came to the door. He rang at the old lady’s door opposite, and was informed that Parfen Semionovitch would not return for three days. The curiosity with which the old servant stared at him again impressed the prince disagreeably. He could not find the porter this time at all.
A couple of days later, however, Hippolyte’s mother came with tears in her eyes, and begged the prince to come back, “or _he_ would eat her up bodily.” She added that Hippolyte had a great secret to disclose. Of course the prince went. There was no secret, however, unless we reckon certain pantings and agitated glances around (probably all put on) as the invalid begged his visitor to “beware of Rogojin.”
| “What are you doing? Where are you going to? You can’t let him go now; if you do he’ll go and do something worse.” |
“I’ll tell you what, my friend,” cried Mrs. Epanchin, of a sudden, “here are we all sitting here and imagining we are very clever, and perhaps laughing at the prince, some of us, and meanwhile he has received a letter this very day in which that same claimant renounces his claim, and begs the prince’s pardon. There! _we_ don’t often get that sort of letter; and yet we are not ashamed to walk with our noses in the air before him.”
“But how brave you are!” said he. “You are laughing, and I--that man’s tale impressed me so much, that I dreamt of it afterwards; yes, I dreamt of those five minutes...”
“Then I began to talk about faces, at least about the _expressions_ of faces, and said that Aglaya Ivanovna was nearly as lovely as Nastasia Philipovna. It was then I blurted out about the portrait--”
She marched towards the door.