He was tired of solitude now; a new rush of feeling took hold of him, and a flood of light chased away the gloom, for a moment, from his soul. He took a ticket to Pavlofsk, and determined to get there as fast as he could, but something stopped him; a reality, and not a fantasy, as he was inclined to think it. He was about to take his place in a carriage, when he suddenly threw away his ticket and came out again, disturbed and thoughtful. A few moments later, in the street, he recalled something that had bothered him all the afternoon. He caught himself engaged in a strange occupation which he now recollected he had taken up at odd moments for the last few hours--it was looking about all around him for something, he did not know what. He had forgotten it for a while, half an hour or so, and now, suddenly, the uneasy search had recommenced.

“But it is not any one particular thought, only; it is the general circumstances of the case. If Voltaire had written this now, or Rousseau, I should have just read it and thought it remarkable, but should not have been so _impressed_ by it. But a man who knows for certain that he has but ten minutes to live and can talk like that--why--it’s--it’s _pride_, that is! It is really a most extraordinary, exalted assertion of personal dignity, it’s--it’s _defiant!_ What a _gigantic_ strength of will, eh? And to accuse a fellow like that of not putting in the cap on purpose; it’s base and mean! You know he deceived us last night, the cunning rascal. I never packed his bag for him, and I never saw his pistol. He packed it himself. But he put me off my guard like that, you see. Vera says you are going to let him stay on; I swear there’s no danger, especially as we are always with him.”

“Oh! nonsense!” cried Varia, angrily. “That was nothing but a drunkard’s tale. Nonsense! Why, who invented the whole thing--Lebedeff and the prince--a pretty pair! Both were probably drunk.”

But Muishkin had risen, and was on his way to open the door for his visitors.

“I am aware that you sent your son to that house--he told me so himself just now, but what is this intrigue?” said the prince, impatiently.
“Nothing--of course! That’s the best answer. Is it the case that you are going to live in his house?”
“I suppose you have felt that in your own case,” said Aglaya.

“Well? What have I seen?” he continued. “I have seen men of graceful simplicity of intellect; I have seen an old man who is not above speaking kindly and even _listening_ to a boy like myself; I see before me persons who can understand, who can forgive--kind, good Russian hearts--hearts almost as kind and cordial as I met abroad. Imagine how delighted I must have been, and how surprised! Oh, let me express this feeling! I have so often heard, and I have even believed, that in society there was nothing but empty forms, and that reality had vanished; but I now see for myself that this can never be the case _here_, among us--it may be the order elsewhere, but not in Russia. Surely you are not all Jesuits and deceivers! I heard Prince N.’s story just now. Was it not simple-minded, spontaneous humour? Could such words come from the lips of a man who is dead?--a man whose heart and talents are dried up? Could dead men and women have treated me so kindly as you have all been treating me to-day? Is there not material for the future in all this--for hope? Can such people fail to _understand?_ Can such men fall away from reality?”

“As to faith,” he said, smiling, and evidently unwilling to leave Rogojin in this state--“as to faith, I had four curious conversations in two days, a week or so ago. One morning I met a man in the train, and made acquaintance with him at once. I had often heard of him as a very learned man, but an atheist; and I was very glad of the opportunity of conversing with so eminent and clever a person. He doesn’t believe in God, and he talked a good deal about it, but all the while it appeared to me that he was speaking _outside the subject_. And it has always struck me, both in speaking to such men and in reading their books, that they do not seem really to be touching on that at all, though on the surface they may appear to do so. I told him this, but I dare say I did not clearly express what I meant, for he could not understand me.
Here the voice of Hippolyte suddenly intervened.
Such was Vera’s story afterwards.
It was about Easter, when, taking advantage of a momentary tête-à-tête Colia handed Aglaya a letter, remarking that he “had orders to deliver it to her privately.” She stared at him in amazement, but he did not wait to hear what she had to say, and went out. Aglaya broke the seal, and read as follows:
“Do you know why I have just told you these lies?” She appealed to the prince, of a sudden, with the most childlike candour, and with the laugh still trembling on her lips. “Because when one tells a lie, if one insists on something unusual and eccentric--something too ‘out of the way’ for anything, you know--the more impossible the thing is, the more plausible does the lie sound. I’ve noticed this. But I managed it badly; I didn’t know how to work it.” She suddenly frowned again at this point as though at some sudden unpleasant recollection.
“Have you quite taken up your quarters here?” asked the prince
“I knew it, but I have a right. I... I...” stammered the “son of Pavlicheff.”
He saw them gather up the broken bits of china; he heard the loud talking of the guests and observed how pale Aglaya looked, and how very strangely she was gazing at him. There was no hatred in her expression, and no anger whatever. It was full of alarm for him, and sympathy and affection, while she looked around at the others with flashing, angry eyes. His heart filled with a sweet pain as he gazed at her.
Excepting Ivan Fedorovitch, who had not as yet returned from town, the whole family was present. Prince S. was there; and they all intended to go out to hear the band very soon.
“Only, of course that’s not nearly your worst action,” said the actress, with evident dislike in her face.
Nastasia Philipovna was quite capable of ruining herself, and even of perpetrating something which would send her to Siberia, for the mere pleasure of injuring a man for whom she had developed so inhuman a sense of loathing and contempt. He had sufficient insight to understand that she valued nothing in the world--herself least of all--and he made no attempt to conceal the fact that he was a coward in some respects. For instance, if he had been told that he would be stabbed at the altar, or publicly insulted, he would undoubtedly have been frightened; but not so much at the idea of being murdered, or wounded, or insulted, as at the thought that if such things were to happen he would be made to look ridiculous in the eyes of society.
“At my wife’s; in other words, at my own place, my daughter’s house.”

“Her relations had all died off--her husband was dead and buried forty years since; and a niece, who had lived with her and bullied her up to three years ago, was dead too; so that she was quite alone.

“What letters?” said the prince, alarmed.

“I have lain here now for three days,” cried the young man without noticing, “and I have seen a lot! Fancy! he suspects his daughter, that angel, that orphan, my cousin--he suspects her, and every evening he searches her room, to see if she has a lover hidden in it! He comes here too on tiptoe, creeping softly--oh, so softly--and looks under the sofa--my bed, you know. He is mad with suspicion, and sees a thief in every corner. He runs about all night long; he was up at least seven times last night, to satisfy himself that the windows and doors were barred, and to peep into the oven. That man who appears in court for scoundrels, rushes in here in the night and prays, lying prostrate, banging his head on the ground by the half-hour--and for whom do you think he prays? Who are the sinners figuring in his drunken petitions? I have heard him with my own ears praying for the repose of the soul of the Countess du Barry! Colia heard it too. He is as mad as a March hare!”
All present exchanged looks of surprise.
“He is dying, yet he will not stop holding forth!” cried Lizabetha Prokofievna. She loosed her hold on his arm, almost terrified, as she saw him wiping the blood from his lips. “Why do you talk? You ought to go home to bed.”

“Out with it then, damn it! Out with it at once!” and Gania stamped his foot twice on the pavement.

Aglaya gazed coldly, intently, and composedly at him, without taking her eyes off his face, and watched his confusion.

In spite of his shyness and agitation, he could not help being greatly interested in the conversation. A special characteristic of his was the naive candour with which he always listened to arguments which interested him, and with which he answered any questions put to him on the subject at issue. In the very expression of his face this naivete was unmistakably evident, this disbelief in the insincerity of others, and unsuspecting disregard of irony or humour in their words.

Lebedeff could restrain himself no longer; he made his way through the row of chairs. Suddenly, to the astonishment of all, Keller went quickly up to the general.
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“Oh, not in the least,” said the prince. “On the contrary, I have been so much interested, I’m really very much obliged to you.”

The prince actually felt glad that he had been interrupted,--and might return the letters to his pocket. He was glad of the respite.

When they reached the stairs again he added:
“Speak!” said the general, beside himself with rage and excitement; “speak--under the penalty of a father’s curse!”