“Yes, herself; and you may believe me when I tell you that I would not have read it for anything without her permission.”
| “She said, ‘I wouldn’t even have you for a footman now, much less for a husband.’ ‘I shan’t leave the house,’ I said, ‘so it doesn’t matter.’ ‘Then I shall call somebody and have you kicked out,’ she cried. So then I rushed at her, and beat her till she was bruised all over.” |
As to the evening party at the Epanchins’ at which Princess Bielokonski was to be present, Varia had reported with accuracy; though she had perhaps expressed herself too strongly.
The prince rose and began to speak in a trembling, timid tone, but with the air of a man absolutely sure of the truth of his words.
“Yes, I am Rogojin, Parfen Rogojin.”
“That officer, eh!--that young officer--don’t you remember that fellow at the band? Eh? Ha, ha, ha! Didn’t she whip him smartly, eh?”
“There is not one of them all who is worthy of these words of yours,” continued Aglaya. “Not one of them is worth your little finger, not one of them has heart or head to compare with yours! You are more honest than all, and better, nobler, kinder, wiser than all. There are some here who are unworthy to bend and pick up the handkerchief you have just dropped. Why do you humiliate yourself like this, and place yourself lower than these people? Why do you debase yourself before them? Why have you no pride?”
“What are you doing? Where are you going to? You can’t let him go now; if you do he’ll go and do something worse.”
| “Oh, that’s not in _my_ province! I believe she receives at any time; it depends upon the visitors. The dressmaker goes in at eleven. Gavrila Ardalionovitch is allowed much earlier than other people, too; he is even admitted to early lunch now and then.” |
“Twenty-seventh; very well. Good-bye now; you have a good deal to do, I’m sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear.”
“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”
“Come back, father; the neighbours will hear!” cried Varia.
The prince reflected.
“Well, there you see!” said the general, condescendingly. “There is nothing whatever unusual about my tale. Truth very often appears to be impossible. I was a page--it sounds strange, I dare say. Had I been fifteen years old I should probably have been terribly frightened when the French arrived, as my mother was (who had been too slow about clearing out of Moscow); but as I was only just ten I was not in the least alarmed, and rushed through the crowd to the very door of the palace when Napoleon alighted from his horse.”
“I thought he would cut my throat at first, and went about armed ready to meet him. But he took it differently; he fainted, and had brain fever and convulsions. A month after, when he had hardly recovered, he went off to the Crimea, and there he was shot.
“It is not true,” he repeated, decidedly; “you have just invented it!”
| All this looked likely enough, and was accepted as fact by most of the inhabitants of the place, especially as it was borne out, more or less, by daily occurrences. |
“Now, that is a valuable piece of information, Mr. Keller,” replied Gania. “However that may be, I have private information which convinces me that Mr. Burdovsky, though doubtless aware of the date of his birth, knew nothing at all about Pavlicheff’s sojourn abroad. Indeed, he passed the greater part of his life out of Russia, returning at intervals for short visits. The journey in question is in itself too unimportant for his friends to recollect it after more than twenty years; and of course Mr. Burdovsky could have known nothing about it, for he was not born. As the event has proved, it was not impossible to find evidence of his absence, though I must confess that chance has helped me in a quest which might very well have come to nothing. It was really almost impossible for Burdovsky or Tchebaroff to discover these facts, even if it had entered their heads to try. Naturally they never dreamt...”
“No, I needn’t,” replied Rogojin, and taking the other by the hand he drew him down to a chair. He himself took a chair opposite and drew it up so close that he almost pressed against the prince’s knees. At their side was a little round table.
The prince made his bows and retired at once. Alexandra and Adelaida smiled and whispered to each other, while Lizabetha Prokofievna glared severely at them. “We are only laughing at the prince’s beautiful bows, mamma,” said Adelaida. “Sometimes he bows just like a meal-sack, but to-day he was like--like Evgenie Pavlovitch!”
| All this filled poor Lizabetha’s mind with chaotic confusion. What on earth did it all mean? The most disturbing feature was the hedgehog. What was the symbolic signification of a hedgehog? What did they understand by it? What underlay it? Was it a cryptic message? |
“Come, let us go in--it’s all right,” he whispered in the prince’s ear.
| It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger. |
“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.
She had scarcely descended the terrace steps leading to the high road that skirts the park at Pavlofsk, when suddenly there dashed by a smart open carriage, drawn by a pair of beautiful white horses. Having passed some ten yards beyond the house, the carriage suddenly drew up, and one of the two ladies seated in it turned sharp round as though she had just caught sight of some acquaintance whom she particularly wished to see.
When the prince pointed out that there was nothing new about that, for that they had always behaved in this manner together, Colia did not know what to say; in fact he could not explain what it was that specially worried him, just now, about his father.
“Since that evening I have been specially fond of donkeys. I began to ask questions about them, for I had never seen one before; and I at once came to the conclusion that this must be one of the most useful of animals--strong, willing, patient, cheap; and, thanks to this donkey, I began to like the whole country I was travelling through; and my melancholy passed away.”
“He is ashamed of his tears!” whispered Lebedeff to Lizabetha Prokofievna. “It was inevitable. Ah! what a wonderful man the prince is! He read his very soul.”
| Aglaya suddenly burst out laughing, as simply as a child. |