“Out with it then, damn it! Out with it at once!” and Gania stamped his foot twice on the pavement.
| Gania stood before her, in his evening clothes, holding his white gloves and hat in his hand, speechless and motionless, with arms folded and eyes fixed on the fire. |
Suddenly he became aware that General Epanchin was tapping him on the shoulder; Ivan Petrovitch was laughing too, but still more kind and sympathizing was the old dignitary. He took the prince by the hand and pressed it warmly; then he patted it, and quietly urged him to recollect himself--speaking to him exactly as he would have spoken to a little frightened child, which pleased the prince wonderfully; and next seated him beside himself.
| “Ferdishenko--either tell us your story, or be quiet, and mind your own business. You exhaust all patience,” cuttingly and irritably remarked Nastasia Philipovna. |
Oh, no, he did not think of Aglaya as a boarding-school miss, or a young lady of the conventional type! He had long since feared that she might take some such step as this. But why did she wish to see Nastasia?
| “‘I’m in consumption,’ I said laconically, rising from my seat. |
“I wish to work, somehow or other.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. Gania’s voice was full of the most uncontrolled and uncontrollable irritation.He had the key in his hand. Mounting the staircase he turned and signalled to the prince to go more softly; he opened the door very quietly, let the prince in, followed him, locked the door behind him, and put the key in his pocket.
“Then you must see that he is not responsible. What does it matter to you now, in any case? What are you hoping for still? If you _have_ a hope left, it is that your suffering air may soften her heart towards you.”
Muishkin was glad enough to be left alone. He went out of the garden, crossed the road, and entered the park. He wished to reflect, and to make up his mind as to a certain “step.” This step was one of those things, however, which are not thought out, as a rule, but decided for or against hastily, and without much reflection. The fact is, he felt a longing to leave all this and go away--go anywhere, if only it were far enough, and at once, without bidding farewell to anyone. He felt a presentiment that if he remained but a few days more in this place, and among these people, he would be fixed there irrevocably and permanently. However, in a very few minutes he decided that to run away was impossible; that it would be cowardly; that great problems lay before him, and that he had no right to leave them unsolved, or at least to refuse to give all his energy and strength to the attempt to solve them. Having come to this determination, he turned and went home, his walk having lasted less than a quarter of an hour. At that moment he was thoroughly unhappy. “No--no--no!” muttered Lebedeff, clutching at his arm. He was clearly aghast at the largeness of the sum, and thought a far smaller amount should have been tried first.| “Do you hear, prince--do you hear that?” said Lizabetha Prokofievna, turning towards him. |
| “If you are too lazy to mend your bell, you should at least wait in the hall to let people in when they rattle the bell handle. There, now, you’ve dropped my fur cloak--dummy!” |
“Nor heard him?”
“Executions?” “No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.”| “Well, what then? Supposing I should like to know?” cried Lizabetha Prokofievna, blushing. “I’m sure I am not afraid of plain speaking. I’m not offending anyone, and I never wish to, and--” |
XV.
And why had not the prince approached him and spoken to him, instead of turning away and pretending he had seen nothing, although their eyes met? (Yes, their eyes had met, and they had looked at each other.) Why, he had himself wished to take Rogojin by the hand and go in together, he had himself determined to go to him on the morrow and tell him that he had seen her, he had repudiated the demon as he walked to the house, and his heart had been full of joy. “Never.”“Of course I know they say that one must be obedient, and of course, too, the prince is one of those who say so: that one must be obedient without questions, out of pure goodness of heart, and that for my worthy conduct in this matter I shall meet with reward in another world. We degrade God when we attribute our own ideas to Him, out of annoyance that we cannot fathom His ways.
| “Nastasia Philipovna!” |
“_Smoke?_” said the man, in shocked but disdainful surprise, blinking his eyes at the prince as though he could not believe his senses. “No, sir, you cannot smoke here, and I wonder you are not ashamed of the very suggestion. Ha, ha! a cool idea that, I declare!”
| “You are going home?” |