“Come, come, don’t overdo your philosophy. Of course you did. Now it’s all over, and a good thing, too; pair of fools that we have been! I confess I have never been able to look at it seriously. I busied myself in it for your sake, thinking that there was no knowing what might happen with a funny girl like that to deal with. There were ninety to one chances against it. To this moment I can’t make out why you wished for it.”
“I am of your opinion on that last point,” said Ivan Fedorovitch, with ill-concealed irritation.

The servant left the room. Vera was about to follow her, but returned and approached the prince with a preoccupied air.

“And how do _you_ know that he left two million and a half of roubles?” asked Rogojin, disdainfully, and not deigning so much as to look at the other. “However, it’s true enough that my father died a month ago, and that here am I returning from Pskoff, a month after, with hardly a boot to my foot. They’ve treated me like a dog! I’ve been ill of fever at Pskoff the whole time, and not a line, nor farthing of money, have I received from my mother or my confounded brother!”
“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“Quite fraternal--I look upon it as a joke. Let us be brothers-in-law, it is all the same to me,--rather an honour than not. But in spite of the two hundred guests and the thousandth anniversary of the Russian Empire, I can see that he is a very remarkable man. I am quite sincere. You said just now that I always looked as if I was going to tell you a secret; you are right. I have a secret to tell you: a certain person has just let me know that she is very anxious for a secret interview with you.”
“Thanks, prince, many thanks, eccentric friend of the family, for the pleasant evening you have provided for us. I am sure you are quite pleased that you have managed to mix us up with your extraordinary affairs. It is quite enough, dear family friend; thank you for giving us an opportunity of getting to know you so well.”

“Not railways, properly speaking, presumptuous youth, but the general tendency of which railways may be considered as the outward expression and symbol. We hurry and push and hustle, for the good of humanity! ‘The world is becoming too noisy, too commercial!’ groans some solitary thinker. ‘Undoubtedly it is, but the noise of waggons bearing bread to starving humanity is of more value than tranquillity of soul,’ replies another triumphantly, and passes on with an air of pride. As for me, I don’t believe in these waggons bringing bread to humanity. For, founded on no moral principle, these may well, even in the act of carrying bread to humanity, coldly exclude a considerable portion of humanity from enjoying it; that has been seen more than once.”

“Vladimir Doktorenko,” said Lebedeff’s nephew briskly, and with a certain pride, as if he boasted of his name.

“_What?_” cried Mrs. Epanchin, raising her hands in horror. “_What’s_ that?”
“Hippolyte, probably. He would think it the most delightful amusement in the world to tell her of it the instant he moved over here; I haven’t a doubt of it.”
“I think you might fairly remember that I was not in any way bound, I had no reason to be silent about that portrait. You never asked me not to mention it.”
“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.

Suddenly Prince S. hinted something about “a new and approaching change in the family.” He was led to this remark by a communication inadvertently made to him by Lizabetha Prokofievna, that Adelaida’s marriage must be postponed a little longer, in order that the two weddings might come off together.

“Look here, once for all,” cried Aglaya, boiling over, “if I hear you talking about capital punishment, or the economical condition of Russia, or about Beauty redeeming the world, or anything of that sort, I’ll--well, of course I shall laugh and seem very pleased, but I warn you beforehand, don’t look me in the face again! I’m serious now, mind, this time I _am really_ serious.” She certainly did say this very seriously, so much so, that she looked quite different from what she usually was, and the prince could not help noticing the fact. She did not seem to be joking in the slightest degree.

“A little while ago a very amusing idea struck me. What if I were now to commit some terrible crime--murder ten fellow-creatures, for instance, or anything else that is thought most shocking and dreadful in this world--what a dilemma my judges would be in, with a criminal who only has a fortnight to live in any case, now that the rack and other forms of torture are abolished! Why, I should die comfortably in their own hospital--in a warm, clean room, with an attentive doctor--probably much more comfortably than I should at home.
“Yes--at least about one. Then I told the whole three years’ story of my life, and the history of a poor peasant girl--”
Poor General Epanchin “put his foot in it” by answering the above questions in his own way. He said there was no cryptic message at all. As for the hedgehog, it was just a hedgehog, which meant nothing--unless, indeed, it was a pledge of friendship,--the sign of forgetting of offences and so on. At all events, it was a joke, and, of course, a most pardonable and innocent one.

“Don’t be angry; she is a wilful, mad, spoilt girl. If she likes a person she will pitch into him, and chaff him. I used to be just such another. But for all that you needn’t flatter yourself, my boy; she is not for you. I don’t believe it, and it is not to be. I tell you so at once, so that you may take proper precautions. Now, I want to hear you swear that you are not married to that woman?”

“You are _afraid_ of it?”

All this was suspicious and unsatisfactory. Very likely the porter had received new instructions during the interval of the prince’s absence; his manner was so different now. He had been obliging--now he was as obstinate and silent as a mule. However, the prince decided to call again in a couple of hours, and after that to watch the house, in case of need. His hope was that he might yet find Nastasia at the address which he had just received. To that address he now set off at full speed.

“Quite so,” said Evgenie, sitting down suddenly beside him, “but I have changed my mind for the time being. I confess, I am too disturbed, and so, I think, are you; and the matter as to which I wished to consult you is too serious to tackle with one’s mind even a little disturbed; too serious both for myself and for you. You see, prince, for once in my life I wish to perform an absolutely honest action, that is, an action with no ulterior motive; and I think I am hardly in a condition to talk of it just at this moment, and--and--well, we’ll discuss it another time. Perhaps the matter may gain in clearness if we wait for two or three days--just the two or three days which I must spend in Petersburg.”

“Your insinuations as to rivalry are rather cynical, Hippolyte. I’m sorry to say I have no right to answer you! As for Gania, I put it to you, _can_ any man have a happy mind after passing through what he has had to suffer? I think that is the best way to look at it. He will change yet, he has lots of time before him, and life is rich; besides--besides...” the prince hesitated. “As to being undermined, I don’t know what in the world you are driving at, Hippolyte. I think we had better drop the subject!”
“Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?”

Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation.

“No, I didn’t,” said the prince, trembling a little, and in great agitation. “You say Gavrila Ardalionovitch has private communications with Aglaya?--Impossible!”

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
Burdovsky next jumped up and explained that he had come in by accident, having escorted Hippolyte from town. He murmured that he was glad he had “written nonsense” in his letter, and then pressed the prince’s hand warmly and sat down again.

It was not a large party, however. Besides Princess Bielokonski and the old dignitary (who was really a great man) and his wife, there was an old military general--a count or baron with a German name, a man reputed to possess great knowledge and administrative ability. He was one of those Olympian administrators who know everything except Russia, pronounce a word of extraordinary wisdom, admired by all, about once in five years, and, after being an eternity in the service, generally die full of honour and riches, though they have never done anything great, and have even been hostile to all greatness. This general was Ivan Fedorovitch’s immediate superior in the service; and it pleased the latter to look upon him also as a patron. On the other hand, the great man did not at all consider himself Epanchin’s patron. He was always very cool to him, while taking advantage of his ready services, and would instantly have put another in his place if there had been the slightest reason for the change.

Lizabetha Prokofievna’s face brightened up, too; so did that of General Epanchin.

The general was brought round to some extent, but the doctors declared that he could not be said to be out of danger. Varia and Nina Alexandrovna never left the sick man’s bedside; Gania was excited and distressed, but would not go upstairs, and seemed afraid to look at the patient. He wrung his hands when the prince spoke to him, and said that “such a misfortune at such a moment” was terrible.
“Yes--not a physical one! I don’t suppose anyone--even a woman--would raise a hand against me now. Even Gania would hesitate! I did think at one time yesterday, that he would fly at me, though. I bet anything that I know what you are thinking of now! You are thinking: ‘Of course one can’t strike the little wretch, but one could suffocate him with a pillow, or a wet towel, when he is asleep! One _ought_ to get rid of him somehow.’ I can see in your face that you are thinking that at this very second.”
“They are Nihilists, are they not?”

“Why, it’s true that I am going to marry Gavrila Ardalionovitch, that I love him and intend to elope with him tomorrow,” cried Aglaya, turning upon her mother. “Do you hear? Is your curiosity satisfied? Are you pleased with what you have heard?”

“When I tried to rid her soul of this gloomy fallacy, she suffered so terribly that my heart will never be quite at peace so long as I can remember that dreadful time!--Do you know why she left me? Simply to prove to me what is not true--that she is base. But the worst of it is, she did not realize herself that that was all she wanted to prove by her departure! She went away in response to some inner prompting to do something disgraceful, in order that she might say to herself--‘There--you’ve done a new act of shame--you degraded creature!’
“If he cared to kiss you, that is,” said Alexandra, whose cheeks were red with irritation and excitement.
The speech of Lebedeff’s nephew caused a certain stir among the company; murmurs arose, though with the exception of Lebedeff, who was still very much excited, everyone was careful not to interfere in the matter. Strangely enough, Lebedeff, although on the prince’s side, seemed quite proud of his nephew’s eloquence. Gratified vanity was visible in the glances he cast upon the assembled company.

“To the station, quick! If you catch the train you shall have another. Quick!”

“Oh, but it is absolutely necessary for me,” Gania entreated. “Believe me, if it were not so, I would not ask you; how else am I to get it to her? It is most important, dreadfully important!”
“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.
“What about Evgenie’s uncle?”