He could not settle himself to his papers again, for agitation and excitement, but began walking up and down the room from corner to corner.
| While Gania put this question, a new idea suddenly flashed into his brain, and blazed out, impatiently, in his eyes. The general, who was really agitated and disturbed, looked at the prince too, but did not seem to expect much from his reply. |
“No--and I don’t want one,” said the prince, laughing.
“At my wife’s; in other words, at my own place, my daughter’s house.”
| “As to life in a prison, of course there may be two opinions,” said the prince. “I once heard the story of a man who lived twelve years in a prison--I heard it from the man himself. He was one of the persons under treatment with my professor; he had fits, and attacks of melancholy, then he would weep, and once he tried to commit suicide. _His_ life in prison was sad enough; his only acquaintances were spiders and a tree that grew outside his grating--but I think I had better tell you of another man I met last year. There was a very strange feature in this case, strange because of its extremely rare occurrence. This man had once been brought to the scaffold in company with several others, and had had the sentence of death by shooting passed upon him for some political crime. Twenty minutes later he had been reprieved and some other punishment substituted; but the interval between the two sentences, twenty minutes, or at least a quarter of an hour, had been passed in the certainty that within a few minutes he must die. I was very anxious to hear him speak of his impressions during that dreadful time, and I several times inquired of him as to what he thought and felt. He remembered everything with the most accurate and extraordinary distinctness, and declared that he would never forget a single iota of the experience. |
“Katia-Pasha! Bring him some water!” cried Nastasia Philipovna. Then she took the tongs and fished out the packet.
“Ha! ha! ha! I thought so. I thought I should hear something like that. Well, you are--you really are--oh dear me! Eloquence, eloquence! Good-bye!”
“I assure you this business left me no peace for many a long year. Why did I do it? I was not in love with her myself; I’m afraid it was simply mischief--pure ‘cussedness’ on my part.| “Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.” |
“Oh, come to Colmina, then! Come--let us go at once!”
| “He may not be home for a week.” |
“Mamma, it’s rather a strange order, that!” said Adelaida, who was fussing among her paints and paint-brushes at the easel. Aglaya and Alexandra had settled themselves with folded hands on a sofa, evidently meaning to be listeners. The prince felt that the general attention was concentrated upon himself.
| “A great disgrace.” |
| “It hid itself under the cupboard and under the chest of drawers, and crawled into the corners. I sat on a chair and kept my legs tucked under me. Then the beast crawled quietly across the room and disappeared somewhere near my chair. I looked about for it in terror, but I still hoped that as my feet were safely tucked away it would not be able to touch me. |
But one very curious fact was that all the shame and vexation and mortification which he felt over the accident were less powerful than the deep impression of the almost supernatural truth of his premonition. He stood still in alarm--in almost superstitious alarm, for a moment; then all mists seemed to clear away from his eyes; he was conscious of nothing but light and joy and ecstasy; his breath came and went; but the moment passed. Thank God it was not that! He drew a long breath and looked around.
“A-ah! if he is to be under special patronage, I withdraw my claws.”
“Not about the theft.”
| “Yes, so have I!” replied the general. “Nastasia Philipovna told us all about the earrings that very day. But now it is quite a different matter. You see the fellow really has a million of roubles, and he is passionately in love. The whole story smells of passion, and we all know what this class of gentry is capable of when infatuated. I am much afraid of some disagreeable scandal, I am indeed!” |
“Who could have told her?”
“Look here--I’ll write a letter--take a letter for me!”
“I don’t know, father.”
“Well, not exactly. I will tell you all about him some day.... What do you think of Nastasia Philipovna? She is beautiful, isn’t she? I had never seen her before, though I had a great wish to do so. She fascinated me. I could forgive Gania if he were to marry her for love, but for money! Oh dear! that is horrible!” He looked intently around him, and wondered why he had come here; he was very tired, so he approached the bench and sat down on it. Around him was profound silence; the music in the Vauxhall was over. The park seemed quite empty, though it was not, in reality, later than half-past eleven. It was a quiet, warm, clear night--a real Petersburg night of early June; but in the dense avenue, where he was sitting, it was almost pitch dark. “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.The man’s suspicions seemed to increase more and more. The prince was too unlike the usual run of daily visitors; and although the general certainly did receive, on business, all sorts and conditions of men, yet in spite of this fact the servant felt great doubts on the subject of this particular visitor. The presence of the secretary as an intermediary was, he judged, essential in this case.