The prince rose.
“‘I do not wish to deprive your mother of you, and, therefore, I will not ask you to go with me,’ he said, the morning of his departure, ‘but I should like to do something for you.’ He was mounting his horse as he spoke. ‘Write something in my sister’s album for me,’ I said rather timidly, for he was in a state of great dejection at the moment. He turned, called for a pen, took the album. ‘How old is your sister?’ he asked, holding the pen in his hand. ‘Three years old,’ I said. ‘Ah, _petite fille alors!_’ and he wrote in the album:
“If two months since I had been called upon to leave my room and the view of Meyer’s wall opposite, I verily believe I should have been sorry. But now I have no such feeling, and yet I am leaving this room and Meyer’s brick wall _for ever_. So that my conclusion, that it is not worth while indulging in grief, or any other emotion, for a fortnight, has proved stronger than my very nature, and has taken over the direction of my feelings. But is it so? Is it the case that my nature is conquered entirely? If I were to be put on the rack now, I should certainly cry out. I should not say that it is not worth while to yell and feel pain because I have but a fortnight to live.
| The latter requested him to take a seat once more, and sat down himself. |
“You are not very modest!” said she.
It was impossible to avoid noticing them, however, in reality, for they made their presence only too conspicuous by laughing and talking loudly. It was to be supposed that some of them were more than half drunk, although they were well enough dressed, some even particularly well. There were one or two, however, who were very strange-looking creatures, with flushed faces and extraordinary clothes; some were military men; not all were quite young; one or two were middle-aged gentlemen of decidedly disagreeable appearance, men who are avoided in society like the plague, decked out in large gold studs and rings, and magnificently “got up,” generally.
To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question.
Madame Filisoff was a little woman of forty, with a cunning face, and crafty, piercing eyes. When, with an air of mystery, she asked her visitor’s name, he refused at first to answer, but in a moment he changed his mind, and left strict instructions that it should be given to Nastasia Philipovna. The urgency of his request seemed to impress Madame Filisoff, and she put on a knowing expression, as if to say, “You need not be afraid, I quite understand.” The prince’s name evidently was a great surprise to her. He stood and looked absently at her for a moment, then turned, and took the road back to his hotel. But he went away not as he came. A great change had suddenly come over him. He went blindly forward; his knees shook under him; he was tormented by “ideas”; his lips were blue, and trembled with a feeble, meaningless smile. His demon was upon him once more.
“I quite understand. You are trying to comfort me for the naiveness with which you disagreed with me--eh? Ha! ha! ha! You are a regular child, prince! However, I cannot help seeing that you always treat me like--like a fragile china cup. Never mind, never mind, I’m not a bit angry! At all events we have had a very funny talk. Do you know, all things considered, I should like to be something better than Osterman! I wouldn’t take the trouble to rise from the dead to be an Osterman. However, I see I must make arrangements to die soon, or I myself--. Well--leave me now! _Au revoir._ Look here--before you go, just give me your opinion: how do you think I ought to die, now? I mean--the best, the most virtuous way? Tell me!”
She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid.
Burdovsky alone sat silent and motionless.
| “Didn’t you put it away in some drawer, perhaps?” |
“You there, Gania?” cried a voice from the study, “come in here, will you?”
“But I’m forbidden your house as it is, without your added threats!” cried the prince after her.
“If it’s all settled, Gania, then of course Mr. Ptitsin is right,” said Nina Alexandrovna. “Don’t frown. You need not worry yourself, Gania; I shall ask you no questions. You need not tell me anything you don’t like. I assure you I have quite submitted to your will.” She said all this, knitting away the while as though perfectly calm and composed.
The prince followed her.
| Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman. |
The prince rose from his seat, and Lebedeff, surprised to see his guest preparing to go so soon, remarked: “You are not interested?” in a respectful tone.
“It is quite true,” said Mrs. Epanchin decisively. “Talk, but not too loud, and don’t excite yourself. You have made me sorry for you. Prince, you don’t deserve that I should stay and have tea with you, yet I will, all the same, but I won’t apologize. I apologize to nobody! Nobody! It is absurd! However, forgive me, prince, if I blew you up--that is, if you like, of course. But please don’t let me keep anyone,” she added suddenly to her husband and daughters, in a tone of resentment, as though they had grievously offended her. “I can come home alone quite well.”
“Oh, but I should like to see it!” said Adelaida; “and I don’t know _when_ we shall ever go abroad. I’ve been two years looking out for a good subject for a picture. I’ve done all I know. ‘The North and South I know by heart,’ as our poet observes. Do help me to a subject, prince.”
But the noise came rapidly nearer, the door burst open, and old General Ivolgin, raging, furious, purple-faced, and trembling with anger, rushed in. He was followed by Nina Alexandrovna, Colia, and behind the rest, Hippolyte.
| “No--and I don’t want one,” said the prince, laughing. |
Aglaya was clearly confused, but not frightened. On entering she had merely glanced momentarily at her rival, and then had sat still, with her eyes on the ground, apparently in thought. Once or twice she glanced casually round the room. A shade of disgust was visible in her expression; she looked as though she were afraid of contamination in this place.
| “Why, what an idiot it is!” cried Nastasia, stamping her foot with irritation. “Go on, do! Whom are you going to announce?” |
In the hall the servants were waiting, and handed her her fur cloak. Martha, the cook, ran in from the kitchen. Nastasia kissed them all round.
At the moment when he lost Aglaya, and after the scene with Nastasia, he had felt so low in his own eyes that he actually brought the money back to the prince. Of this returning of the money given to him by a madwoman who had received it from a madman, he had often repented since--though he never ceased to be proud of his action. During the short time that Muishkin remained in Petersburg Gania had had time to come to hate him for his sympathy, though the prince told him that it was “not everyone who would have acted so nobly” as to return the money. He had long pondered, too, over his relations with Aglaya, and had persuaded himself that with such a strange, childish, innocent character as hers, things might have ended very differently. Remorse then seized him; he threw up his post, and buried himself in self-torment and reproach.
| “Well, take care you don’t tell him to his face that you have found the purse. Simply let him see that it is no longer in the lining of your coat, and form his own conclusions.” |
He had kept but one idea before him all day, and for that he had worked in an agony of anxiety and a fever of suspense. His lieutenants had worked so hard from five o’clock until eleven, that they actually had collected a hundred thousand roubles for him, but at such terrific expense, that the rate of interest was only mentioned among them in whispers and with bated breath.
“I see, I see,” said Evgenie, smiling gently. His mirth seemed very near the surface this evening.
“Yes, I am afraid...” began the prince.
| “Those are the two hundred and fifty roubles you dared to send him as a charity, by the hands of Tchebaroff,” explained Doktorenko. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”