The prince observed that Alexandra appeared to be angry with Evgenie, because he spoke on a serious subject in a frivolous manner, pretending to be in earnest, but with an under-current of irony.
“Yes.”
| He seized her hands, and pressed them so hard that Adelaida nearly cried out; he then gazed with delight into her eyes, and raising her right hand to his lips with enthusiasm, kissed it three times. |
Lebedeff followed suit at once, and it was clear from his radiant face that he considered his prospects of satisfaction immensely improved.
“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”
“It was a dream, of course,” he said, musingly. “Strange that I should have a dream like that at such a moment. Sit down--”
The reason for their anxiety soon became apparent. From that very side entrance to the Vauxhall, near which the prince and all the Epanchin party were seated, there suddenly appeared quite a large knot of persons, at least a dozen.
“Yes.”
“I have only retired for a time,” said he, laughing. “For a few months; at most for a year.”
True enough, most of the guests, next day and the day after, were not in very good humour. Ivan Petrovitch was a little offended, but not seriously so. General Epanchin’s chief was rather cool towards him for some while after the occurrence. The old dignitary, as patron of the family, took the opportunity of murmuring some kind of admonition to the general, and added, in flattering terms, that he was most interested in Aglaya’s future. He was a man who really did possess a kind heart, although his interest in the prince, in the earlier part of the evening, was due, among other reasons, to the latter’s connection with Nastasia Philipovna, according to popular report. He had heard a good deal of this story here and there, and was greatly interested in it, so much so that he longed to ask further questions about it.
“What, he doesn’t know me!” said Rogojin, showing his teeth disagreeably. “He doesn’t recognize Rogojin!” He did not move an inch, however.
“A Kammer-junker? I had not thought of it, but--”
| “My father picked up all these pictures very cheap at auctions, and so on,” he said; “they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week.” |
| Aglaya sat with her eyes on the ground; she seemed to have alarmed even herself by what she had said. |
| They were in no hurry to marry. They liked good society, but were not too keen about it. All this was the more remarkable, because everyone was well aware of the hopes and aims of their parents. |
“You know,” Adelaida continued, “you owe us a description of the Basle picture; but first I wish to hear how you fell in love. Don’t deny the fact, for you did, of course. Besides, you stop philosophizing when you are telling about anything.”
“And Nastasia Philipovna?”
| “Do you know, prince,” he said, in quite a different tone, “I do not know you at all, yet, and after all, Elizabetha Prokofievna would very likely be pleased to have a peep at a man of her own name. Wait a little, if you don’t mind, and if you have time to spare?” |
“Why, it’s true that I am going to marry Gavrila Ardalionovitch, that I love him and intend to elope with him tomorrow,” cried Aglaya, turning upon her mother. “Do you hear? Is your curiosity satisfied? Are you pleased with what you have heard?”
| “That is all thanks to our lassitude, I think,” replied the old man, with authority. “And then their way of preaching; they have a skilful manner of doing it! And they know how to startle one, too. I got quite a fright myself in ’32, in Vienna, I assure you; but I didn’t cave in to them, I ran away instead, ha, ha!” |
“ANTIP BURDOVSKY.
“Are you telling the truth when you say you are not in love?”
| All three of the Miss Epanchins were fine, healthy girls, well-grown, with good shoulders and busts, and strong--almost masculine--hands; and, of course, with all the above attributes, they enjoyed capital appetites, of which they were not in the least ashamed. |
| The two old gentlemen looked quite alarmed. The old general (Epanchin’s chief) sat and glared at the prince in severe displeasure. The colonel sat immovable. Even the German poet grew a little pale, though he wore his usual artificial smile as he looked around to see what the others would do. |
“Oh! couldn’t you find out?” muttered Gania, trembling hysterically.
“Are you going to be married here?”
“Seriously? Then are you a coward?”
III.
“I must admit, prince, I was a little put out to see you up and about like this--I expected to find you in bed; but I give you my word, I was only annoyed for an instant, before I collected my thoughts properly. I am always wiser on second thoughts, and I dare say you are the same. I assure you I am as glad to see you well as though you were my own son,--yes, and more; and if you don’t believe me the more shame to you, and it’s not my fault. But that spiteful boy delights in playing all sorts of tricks. You are his patron, it seems. Well, I warn you that one fine morning I shall deprive myself of the pleasure of his further acquaintance.”
One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical--it might almost be called a malicious--smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur--or rather astrachan--overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it--the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy--was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.
He had risen, and was speaking standing up. The old gentleman was looking at him now in unconcealed alarm. Lizabetha Prokofievna wrung her hands. “Oh, my God!” she cried. She had guessed the state of the case before anyone else.
Mrs. Epanchin was just wondering whether she would not forbid the performance after all, when, at the very moment that Aglaya commenced her declamation, two new guests, both talking loudly, entered from the street. The new arrivals were General Epanchin and a young man.
“Prince, be so kind as to come to me for a moment in the drawing-room,” said Nina Alexandrovna herself, appearing at the door.
“What you say is quite true,” observed General Epanchin; then, clasping his hands behind his back, he returned to his place on the terrace steps, where he yawned with an air of boredom.
Mrs. General Epanchin was a proud woman by nature. What must her feelings have been when she heard that Prince Muishkin, the last of his and her line, had arrived in beggar’s guise, a wretched idiot, a recipient of charity--all of which details the general gave out for greater effect! He was anxious to steal her interest at the first swoop, so as to distract her thoughts from other matters nearer home.
“You may add that I have surely enough to think of, on my own account, without him; and therefore it is all the more surprising that I cannot tear my eyes and thoughts away from his detestable physiognomy.”
“Seeking?”
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”
“My dear prince! your words lie in the lowest depth of my heart--it is their tomb!” said Lebedeff, solemnly, pressing his hat to the region of his heart.
| Gania, left alone, clutched his head with his hands. |
“Gania, don’t be a fool! I tell you for the last time.”
An old woman opened to them and bowed low to Parfen, who asked her some questions hurriedly, but did not wait to hear her answer. He led the prince on through several dark, cold-looking rooms, spotlessly clean, with white covers over all the furniture.
“What? Who forbade you?”
XIII.
“Then within his distant castle, Home returned, he dreamed his days-- Silent, sad,--and when death took him He was mad, the legend says.”
This, then, was the society that the prince accepted at once as true coin, as pure gold without alloy.
“Nastasia Philipovna? She does not live there, and to tell you the truth my father has never been to her house! It is strange that you should have depended on him! She lives near Wladimir Street, at the Five Corners, and it is quite close by. Will you go directly? It is just half-past nine. I will show you the way with pleasure.”
But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere.
| “I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.” |
| Aglaya had made for the door in terror, but she stopped at the threshold, and listened. “Shall I turn Rogojin off? Ha! ha! you thought I would marry him for your benefit, did you? Why, I’ll call out _now_, if you like, in your presence, ‘Rogojin, get out!’ and say to the prince, ‘Do you remember what you promised me?’ Heavens! what a fool I have been to humiliate myself before them! Why, prince, you yourself gave me your word that you would marry me whatever happened, and would never abandon me. You said you loved me and would forgive me all, and--and resp--yes, you even said that! I only ran away from you in order to set you free, and now I don’t care to let you go again. Why does she treat me so--so shamefully? I am not a loose woman--ask Rogojin there! He’ll tell you. Will you go again now that she has insulted me, before your eyes, too; turn away from me and lead her away, arm-in-arm? May you be accursed too, for you were the only one I trusted among them all! Go away, Rogojin, I don’t want you,” she continued, blind with fury, and forcing the words out with dry lips and distorted features, evidently not believing a single word of her own tirade, but, at the same time, doing her utmost to prolong the moment of self-deception. |
“If you didn’t mean that, then she has only to go down the steps and walk off, and she need never come back unless she chooses: Ships are burned behind one sometimes, and one doesn’t care to return whence one came. Life need not consist only of lunches, and dinners, and Prince S’s. It strikes me you take Aglaya Ivanovna for some conventional boarding-school girl. I said so to her, and she quite agreed with me. Wait till seven or eight o’clock. In your place I would send someone there to keep watch, so as to seize the exact moment when she steps out of the house. Send Colia. He’ll play the spy with pleasure--for you at least. Ha, ha, ha!”
Nastasia came out of the house looking as white as any handkerchief; but her large dark eyes shone upon the vulgar crowd like blazing coals. The spectators’ cries were redoubled, and became more exultant and triumphant every moment. The door of the carriage was open, and Keller had given his hand to the bride to help her in, when suddenly with a loud cry she rushed from him, straight into the surging crowd. Her friends about her were stupefied with amazement; the crowd parted as she rushed through it, and suddenly, at a distance of five or six yards from the carriage, appeared Rogojin. It was his look that had caught her eyes.
| “Which observation should always be made in as theatrical a tone as possible,” muttered Gania, shutting the window with a bang. |
Gania had begun to frown, and probably Varia added this last sentence in order to probe his thought. However, at this moment, the noise began again upstairs.
| “How dare you speak so to me?” she said, with a haughtiness which was quite indescribable, replying to Nastasia’s last remark. |
Gania hurled Ferdishenko from him; then he turned sharp round and made for the door. But he had not gone a couple of steps when he tottered and fell to the ground.
| “And Hippolyte has come down here to stay,” said Colia, suddenly. |
| The words were spoken in a grave tone, and even somewhat shyly. |
| “Why, what an idea!” he said. “I didn’t mean to ask you any of these questions; I was thinking of something quite different! But my head is heavy, and I seem so absent-minded nowadays! Well, good-bye--I can’t remember what I wanted to say--good-bye!” |
| “My own though, prince, my own, mind,” he said, “and there’ll be some supper later on; my daughter is getting it ready now. Come and sit down, prince, we are all waiting for you, we want you with us. Fancy what we have been discussing! You know the question, ‘to be or not to be,’--out of Hamlet! A contemporary theme! Quite up-to-date! Mr. Hippolyte has been eloquent to a degree. He won’t go to bed, but he has only drunk a little champagne, and that can’t do him any harm. Come along, prince, and settle the question. Everyone is waiting for you, sighing for the light of your luminous intelligence...” |
Nastasia Philipovna was also much impressed, both with Gania’s action and with the prince’s reply.
“What would I show them?
“Suddenly, just before the whistle, in came two ladies with a little poodle, and sat down opposite to me; not bad-looking women; one was in light blue, the other in black silk. The poodle, a beauty with a silver collar, lay on light blue’s knee. They looked haughtily about, and talked English together. I took no notice, just went on smoking. I observed that the ladies were getting angry--over my cigar, doubtless. One looked at me through her tortoise-shell eyeglass.
| “Pushkin’s, mama, of course! Don’t disgrace us all by showing your ignorance,” said Adelaida. |
Only Vera Lebedeff remained hurriedly rearranging the furniture in the rooms. As she left the verandah, she glanced at the prince. He was seated at the table, with both elbows upon it, and his head resting on his hands. She approached him, and touched his shoulder gently. The prince started and looked at her in perplexity; he seemed to be collecting his senses for a minute or so, before he could remember where he was. As recollection dawned upon him, he became violently agitated. All he did, however, was to ask Vera very earnestly to knock at his door and awake him in time for the first train to Petersburg next morning. Vera promised, and the prince entreated her not to tell anyone of his intention. She promised this, too; and at last, when she had half-closed the door, he called her back a third time, took her hands in his, kissed them, then kissed her forehead, and in a rather peculiar manner said to her, “Until tomorrow!”
“It’s impossible, for that very reason,” said the prince. “How would she get out if she wished to? You don’t know the habits of that house--she _could_ not get away alone to Nastasia Philipovna’s! It’s all nonsense!”
| “Don’t shuffle! Say plainly that you think that I am quite wrong, without any ‘somewhat’! Why ‘somewhat’?” |
There was much more of this delirious wandering in the letters--one of them was very long.
He left the room quickly, covering his face with his hands.
The company assembled at Nastasia Philipovna’s consisted of none but her most intimate friends, and formed a very small party in comparison with her usual gatherings on this anniversary.
The chief object in his mind at this moment was to get as quickly as he could to Nastasia Philipovna’s lodging. He remembered that, not long since, when she had left Pavlofsk at his request, he had begged her to put up in town at the house of a respectable widow, who had well-furnished rooms to let, near the Ismailofsky barracks. Probably Nastasia had kept the rooms when she came down to Pavlofsk this last time; and most likely she would have spent the night in them, Rogojin having taken her straight there from the station.
“Then you have no one, absolutely _no_ one in Russia?” he asked.
“How strange that criminals seldom swoon at such a moment! On the contrary, the brain is especially active, and works incessantly--probably hard, hard, hard--like an engine at full pressure. I imagine that various thoughts must beat loud and fast through his head--all unfinished ones, and strange, funny thoughts, very likely!--like this, for instance: ‘That man is looking at me, and he has a wart on his forehead! and the executioner has burst one of his buttons, and the lowest one is all rusty!’ And meanwhile he notices and remembers everything. There is one point that cannot be forgotten, round which everything else dances and turns about; and because of this point he cannot faint, and this lasts until the very final quarter of a second, when the wretched neck is on the block and the victim listens and waits and _knows_--that’s the point, he _knows_ that he is just _now_ about to die, and listens for the rasp of the iron over his head. If I lay there, I should certainly listen for that grating sound, and hear it, too! There would probably be but the tenth part of an instant left to hear it in, but one would certainly hear it. And imagine, some people declare that when the head flies off it is _conscious_ of having flown off! Just imagine what a thing to realize! Fancy if consciousness were to last for even five seconds!
| Hippolyte told the prince this last story, sending for him on purpose. When Muishkin heard about the candle and Gania’s finger he had laughed so that he had quite astonished Hippolyte,--and then shuddered and burst into tears. The prince’s condition during those days was strange and perturbed. Hippolyte plainly declared that he thought he was out of his mind;--this, however, was hardly to be relied upon. |
“Exactly so.”
“What have you got there?” asked the prince, with some anxiety.
| This is the reason why he was so unwilling to take lunch (on the morning upon which we took up this narrative) with the rest of his family. Before the prince’s arrival he had made up his mind to plead business, and “cut” the meal; which simply meant running away. |
| “I hear you have called twice; I suppose you are still worried about yesterday’s affair.” |
V.
“But if you... I could...” stammered Lebedeff, “if... if you please, prince, tell you something on the subject which would interest you, I am sure.” He spoke in wheedling tones, and wriggled as he walked along.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.